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Beyond Representation: Television Drama and the Politics and Aesthetics of Identity 🔍
Geraldine Harris, Gerry Harris
Manchester University Press, 1st edition, Manchester, UK, New York, NY, USA, Unknown, Oct 2006
✅ English [en] · PDF · 12.1MB · 2006 · 📗 Book (unknown) · 🚀/ia · Save
description
Beyond representation poses the question as to whether over the last thirty years there have been signs of 'progress' or 'progressiveness' in the representation of 'marginalised' or subaltern identity categories within television drama in Britain and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity that have influenced and informed television drama criticism during this period.
This book can function as an introduction because it provides students with a clear and coherent pathway through complex, wide-reaching and highly influential interdisciplinary terrain. Chapters examine ideas circling around politics and aesthetics, which emerge from such theories as Marxist-socialism and postmodernism, feminism and postmodern feminism, anti-racism and postcolonialism, queer theory and theories of globalisation, and evaluates their impact on television criticism and on television as an institution. These discussions are consolidated through a number of case studies that offer analyses of a range of television drama texts including Ally McBeal, Supply and Demand, The Bill, Second Generation, Star Trek: Enterprise, Queer as Folk, Metrosexuality and The Murder of Stephen Lawrence.
This book can function as an introduction because it provides students with a clear and coherent pathway through complex, wide-reaching and highly influential interdisciplinary terrain. Chapters examine ideas circling around politics and aesthetics, which emerge from such theories as Marxist-socialism and postmodernism, feminism and postmodern feminism, anti-racism and postcolonialism, queer theory and theories of globalisation, and evaluates their impact on television criticism and on television as an institution. These discussions are consolidated through a number of case studies that offer analyses of a range of television drama texts including Ally McBeal, Supply and Demand, The Bill, Second Generation, Star Trek: Enterprise, Queer as Folk, Metrosexuality and The Murder of Stephen Lawrence.
Alternative description
Acknowledgements
Introduction: beyond the politics of identity?
Beyond realism? Modes of reading in Marxist-socialist and post-Marxist-socialist television drama criticism
The end(s) of feminism(s)? From *Madonna* to *Ally McBeal*
Divided duties: diasporic subjectivities and ‘race relations’ dramas (*Supply and Demand, The Bill, Second Generation*)
The world of enterprise: myths of the global and global myths (*Star Trek*)
Only human nature after all? Romantic attractions and queer dilemmas (*Queer as Folk*)
Conclusion: beyond (simple) representation? *Metrosexuality* and *The Murder of Stephen Lawrence*
References
Index
Introduction: beyond the politics of identity?
Beyond realism? Modes of reading in Marxist-socialist and post-Marxist-socialist television drama criticism
The end(s) of feminism(s)? From *Madonna* to *Ally McBeal*
Divided duties: diasporic subjectivities and ‘race relations’ dramas (*Supply and Demand, The Bill, Second Generation*)
The world of enterprise: myths of the global and global myths (*Star Trek*)
Only human nature after all? Romantic attractions and queer dilemmas (*Queer as Folk*)
Conclusion: beyond (simple) representation? *Metrosexuality* and *The Murder of Stephen Lawrence*
References
Index
Alternative description
The title for this book is inspired by a 1998 radio interview in which Michael Jackson, then controller of Channel 4, was asked about the company’s current position on its policy of catering for ‘minority’ or ‘special interest’ groups, established as part of its original charter in the 1980s.
date open sourced
2023-06-28
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