Letters of T. S. Eliot Volume 7: 1934-1935, The (Letters of T. Eliot) 🔍
Matthew Hollis, T. S. Eliot, John Haffenden, Valerie Eliot
Harcourt Brace Jovanovich, Yale University Press, LETTERS OF T.S. ELIOT, 5, London, 2014
English [en] · PDF · 49.3MB · 2014 · 📗 Book (unknown) · 🚀/ia · Save
description
In the period covered by this richly detailed collection, which brings the poet to the age of forty, T.S. Eliot was to set a new course for his life and work. Forsaking the Unitarianism of his American forebears, he was received into the Church of England and naturalised as a British citizen - a radical and public alteration of the intellectual and spiritual direction of his career.
The demands of Eliot's professional life as writer and editor became more complex and exacting during these years. The celebrated but financially-pressed periodical he had been editing since 1922 - The Criterion - switched between being a quarterly and a monthly, before being rescued by the fledgling house of Faber & Gwyer. In addition to writing numerous essays and editorials, lectures, reviews, introductions and prefaces, his letters show Eliot involving himself wholeheartedly in the business of his new career as a publisher. His Ariel poems, Journey of the Magi (1927) and A Song for Simeon (1928) established a new manner and vision for the poet of The Waste Land and 'The Hollow Men'. These are also the years in which Eliot published two sections of an exhilaratingly funny, savage, jazz-influenced play-in-verse - 'Fragment of a Prologue' and 'Fragment of an Agon' - which were subsequently brought together as Sweeney Agonistes . In addition, he struggled to translate the remarkable work Anabase , by St.-John Perse, which was to be a signal influence upon his own later poetry.
This correspondence with friends and mentors vividly documents all the stages of Eliot's personal and artistic transformation during these crucial years, the continuing anxieties of his private life, and the forging of his public reputation.
The demands of Eliot's professional life as writer and editor became more complex and exacting during these years. The celebrated but financially-pressed periodical he had been editing since 1922 - The Criterion - switched between being a quarterly and a monthly, before being rescued by the fledgling house of Faber & Gwyer. In addition to writing numerous essays and editorials, lectures, reviews, introductions and prefaces, his letters show Eliot involving himself wholeheartedly in the business of his new career as a publisher. His Ariel poems, Journey of the Magi (1927) and A Song for Simeon (1928) established a new manner and vision for the poet of The Waste Land and 'The Hollow Men'. These are also the years in which Eliot published two sections of an exhilaratingly funny, savage, jazz-influenced play-in-verse - 'Fragment of a Prologue' and 'Fragment of an Agon' - which were subsequently brought together as Sweeney Agonistes . In addition, he struggled to translate the remarkable work Anabase , by St.-John Perse, which was to be a signal influence upon his own later poetry.
This correspondence with friends and mentors vividly documents all the stages of Eliot's personal and artistic transformation during these crucial years, the continuing anxieties of his private life, and the forging of his public reputation.
Alternative title
The Letters of T. S. Eliot Volume 5: 1930-1931 (Faber Poetry)
Alternative title
The Letters of T.S. Eliot. Volume 2, 1923-1925 (v. 2)
Alternative title
Letters of T. S. Eliot Volume 6: 1932–1933, The
Alternative title
Letters of T. S. Eliot Volume 3: 1926-1927, The
Alternative title
Letters of T. S. Eliot Volume 4: 1928-1929, The
Alternative title
Letters of T. S. Eliot Volume 8 (Faber Poetry)
Alternative title
The letters of T.S. Eliot. Volume 3, 1926-1927
Alternative title
The letters of T.S. Eliot. Volume 4, 1928-1929
Alternative title
The letters of T.S. Eliot. Vol. 1, 1898-1922
Alternative title
Letters of T. S. Eliot Volume 9: 1939-1941
Alternative title
The Letters of T. S. Eliot, 1934-1935
Alternative title
The Letters of T. S. Eliot 1932-1933
Alternative title
The Letters of T.S. Eliot 2: 1923-28
Alternative title
Correspondence
Alternative title
1936-1937, the
Alternative author
Eliot, T. S. (Thomas Stearns), 1888-1965, author; Eliot, Valerie, editor; Haughton, Hugh, 1948- editor; Haffenden, John, editor
Alternative author
T S Eliot; Valerie Eliot; Hugh Haughton; John Haffenden
Alternative author
T S Eliot; John Haffenden; Hugh Haughton; Valerie Eliot
Alternative author
T.S. Eliot. Vol.2, 1923-28 / edited by V. Eliot
Alternative author
Valerie Eliot, John Haffenden, T. S. Eliot
Alternative author
T.S. Eliot; Valerie Eliot; Hugh Houghton
Alternative author
Edith M. VanDeman Leonard, T. S. Eliot
Alternative author
Thomas Stearns Eliot; Valerie Eliot
Alternative author
T S Eliot; Matthew Hollis
Alternative publisher
Faber & Faber Classical Music & Dance
Alternative publisher
Faber & Faber Non-Fiction
Alternative publisher
London: Faber and Faber
Alternative publisher
Faber & Faber, Limited
Alternative edition
United Kingdom and Ireland, United Kingdom
Alternative edition
1st ed, San Diego, New Haven, 1988-
Alternative edition
First Edition, US, 2009
Alternative edition
Rev. ed, London, 2009
Alternative edition
Revised ed., PT, 2012
Alternative edition
Main, PS, 2014
Alternative edition
England, 1995
Alternative edition
Jul 05, 2012
Alternative edition
Jun 16, 2017
Alternative edition
Aug 06, 2019
Alternative edition
London, 1988
Alternative edition
London, 2012
Alternative edition
London, 2013
Alternative edition
Main, 2016
Alternative edition
Main, 2022
Alternative edition
Main, 2013
Alternative edition
Main, 2019
Alternative edition
Main, 2009
Alternative edition
PS, 2021
metadata comments
Source title: Letters of T. S. Eliot Volume 3: 1926-1927, The
metadata comments
Source title: Letters of T. S. Eliot Volume 7: 1934-1935, The (Letters of T. Eliot)
metadata comments
Source title: Letters of T. S. Eliot Volume 8 (Faber Poetry)
Alternative description
volumes : 25 cm
V. 1: "Volume One: 1898-1922 presents some 1,400 letters encompassing the years of Eliot's childhood in St. Louis, Missouri, through 1922, by which time the poet had settled in England, married his first wife, and published The Waste Land. Since the first publication of this volume in 1988, many new materials from British and American sources have come to light. More than two hundred of these newly discovered letters are now included, filling crucial gaps in the record and shedding new light on Eliot's activities in London during and after the First World War." -- Publisher's description
V. 2: "Volume Two: 1923-1925 covers the early years of Eliot's editorship of The Criterion, publication of The Hollow Men, and his developing thought about poetry and poetics. The volume offers 1,400 letters, charting Eliot's journey toward conversion to the Anglican faith, as well as his transformation from banker to publisher and his appointment as director of the new publishing house Faber & Gwyer. The prolific and various correspondence in this volume testifies to Eliot's growing influence as cultural commentator and editor." -- Publisher's description
V. 3: "In the period covered by this richly detailed collection, T. S. Eliot was to set a new course for his life and work. The demands of his professional life as writer and editor became more complex and exacting. The celebrated but financially pressed periodical he had been editing since 1922 -- The Criterion: A Literary Review -- switched between being a quarterly and a monthly; in addition to writing numerous essays and editorials, lectures, reviews, introductions and prefaces, his letters show Eliot involving himself wholeheartedly in the business of his new career as a publisher. This correspondence with friends and mentors vividly documents all the stages of Eliot's personal and artistic transformation during these crucial years, the continuing anxieties of his private life, and the forging of his public reputation." -- Publisher's description
V. 4: "T. S. Eliot writes the letters contained in this volume during a period of weighty responsibilities as husband and increasing demands as editor and publisher. He cultivates the support of prominent guarantors to secure the future of his periodical, The Monthly Criterion, even as he loyally looks after his wife, Vivien, now home after months in a French psychiatric hospital. Eliot corresponds with writers throughout Great Britain, Europe, and the United States while also forging links with the foremost reviews in London, Berlin, Paris, Madrid, and Milan. He generously promotes many other writers, among them Louis Zukofsky and Edward Dahlberg, and manages to complete a variety of writings himself, including the much-loved poem A Song for Simeon, a brilliant introduction to Wilkie Collins' The Moonstone, and many more." -- Publisher's description
V. 5: This fifth volume of the collected letters of poet, playwright, essayist, and literary critic Thomas Stearns Eliot covers the years 1930 through 1931. It was during this period that the acclaimed American-born writer earnestly embraced his newly avowed Anglo-Catholic faith, a decision that earned him the antagonism of friends like Virginia Woolf and Herbert Read. Also evidenced in these correspondences is Eliot's growing estrangement from his wife Vivien, with the writer's newfound dedication to the Anglican Church exacerbating the unhappiness of an already tormented union. Yet despite his personal trials, this period was one of great literary activity for Eliot. In 1930 he composed the poems Ash-Wednesday and Marina, and published Coriolan and a translation of Saint-John Perse's Anabase the following year. As director at the British publishing house Faber & Faber and editor of The Criterion, he encouraged W. H. Auden, Stephen Spender, Louis MacNeice, and Ralph Hogdson, published James Joyce's Haveth Childers Everywhere, and turned down a book proposal from Eric Blair, better known by his pen name, George Orwell. Through Eliot's correspondences from this time the reader gets a full-bodied view of a great artist at a personal, professional, and spiritual crossroads.--Goodreads website
V. 6: "The letters of T. S. Eliot collected in this sixth volume were written during the years the Nobel Prize-winning poet, playwright, critic, and essayist called, "the happiest I can ever remember in my life." Penned in large part during his tour of Depression Era America, these letters reflect Eliot's resolve to end his torturous eighteen-year marriage to his wife, Vivienne, and offer fascinating descriptions of the author's encounters with F. Scott Fitzgerald, Edmund Wilson, Marianne Moore, and other notable figures"--Amazon.com
V. 9: Covers the production of Eliot's play The Family Reunion; the publication of The Idea of a Christian Society; and the joyous versifying of Old Possum's Book of Practical Cats
Vol. 1 revised and enlarged from 1988 edition
Vol. 3-9 edited by Valerie Eliot and John Haffenden
Includes bibliographical references and indexes
V. 1: "Volume One: 1898-1922 presents some 1,400 letters encompassing the years of Eliot's childhood in St. Louis, Missouri, through 1922, by which time the poet had settled in England, married his first wife, and published The Waste Land. Since the first publication of this volume in 1988, many new materials from British and American sources have come to light. More than two hundred of these newly discovered letters are now included, filling crucial gaps in the record and shedding new light on Eliot's activities in London during and after the First World War." -- Publisher's description
V. 2: "Volume Two: 1923-1925 covers the early years of Eliot's editorship of The Criterion, publication of The Hollow Men, and his developing thought about poetry and poetics. The volume offers 1,400 letters, charting Eliot's journey toward conversion to the Anglican faith, as well as his transformation from banker to publisher and his appointment as director of the new publishing house Faber & Gwyer. The prolific and various correspondence in this volume testifies to Eliot's growing influence as cultural commentator and editor." -- Publisher's description
V. 3: "In the period covered by this richly detailed collection, T. S. Eliot was to set a new course for his life and work. The demands of his professional life as writer and editor became more complex and exacting. The celebrated but financially pressed periodical he had been editing since 1922 -- The Criterion: A Literary Review -- switched between being a quarterly and a monthly; in addition to writing numerous essays and editorials, lectures, reviews, introductions and prefaces, his letters show Eliot involving himself wholeheartedly in the business of his new career as a publisher. This correspondence with friends and mentors vividly documents all the stages of Eliot's personal and artistic transformation during these crucial years, the continuing anxieties of his private life, and the forging of his public reputation." -- Publisher's description
V. 4: "T. S. Eliot writes the letters contained in this volume during a period of weighty responsibilities as husband and increasing demands as editor and publisher. He cultivates the support of prominent guarantors to secure the future of his periodical, The Monthly Criterion, even as he loyally looks after his wife, Vivien, now home after months in a French psychiatric hospital. Eliot corresponds with writers throughout Great Britain, Europe, and the United States while also forging links with the foremost reviews in London, Berlin, Paris, Madrid, and Milan. He generously promotes many other writers, among them Louis Zukofsky and Edward Dahlberg, and manages to complete a variety of writings himself, including the much-loved poem A Song for Simeon, a brilliant introduction to Wilkie Collins' The Moonstone, and many more." -- Publisher's description
V. 5: This fifth volume of the collected letters of poet, playwright, essayist, and literary critic Thomas Stearns Eliot covers the years 1930 through 1931. It was during this period that the acclaimed American-born writer earnestly embraced his newly avowed Anglo-Catholic faith, a decision that earned him the antagonism of friends like Virginia Woolf and Herbert Read. Also evidenced in these correspondences is Eliot's growing estrangement from his wife Vivien, with the writer's newfound dedication to the Anglican Church exacerbating the unhappiness of an already tormented union. Yet despite his personal trials, this period was one of great literary activity for Eliot. In 1930 he composed the poems Ash-Wednesday and Marina, and published Coriolan and a translation of Saint-John Perse's Anabase the following year. As director at the British publishing house Faber & Faber and editor of The Criterion, he encouraged W. H. Auden, Stephen Spender, Louis MacNeice, and Ralph Hogdson, published James Joyce's Haveth Childers Everywhere, and turned down a book proposal from Eric Blair, better known by his pen name, George Orwell. Through Eliot's correspondences from this time the reader gets a full-bodied view of a great artist at a personal, professional, and spiritual crossroads.--Goodreads website
V. 6: "The letters of T. S. Eliot collected in this sixth volume were written during the years the Nobel Prize-winning poet, playwright, critic, and essayist called, "the happiest I can ever remember in my life." Penned in large part during his tour of Depression Era America, these letters reflect Eliot's resolve to end his torturous eighteen-year marriage to his wife, Vivienne, and offer fascinating descriptions of the author's encounters with F. Scott Fitzgerald, Edmund Wilson, Marianne Moore, and other notable figures"--Amazon.com
V. 9: Covers the production of Eliot's play The Family Reunion; the publication of The Idea of a Christian Society; and the joyous versifying of Old Possum's Book of Practical Cats
Vol. 1 revised and enlarged from 1988 edition
Vol. 3-9 edited by Valerie Eliot and John Haffenden
Includes bibliographical references and indexes
Alternative description
In the period covered by this richly detailed collection, which brings the poet to the age of forty, T.S. Eliot was to set a new course for his life and work. Forsaking the Unitarianism of his American forebears, he was received into the Church of England and naturalised as a British citizen - a radical and public alteration of the intellectual and spiritual direction of his career. The demands of Eliot's professional life as writer and editor became more complex and exacting during these years. The celebrated but financially-pressed periodical he had been editing since 1922 - The Criterion - switched between being a quarterly and a monthly, before being rescued by the fledgling house of Faber & Gwyer. In addition to writing numerous essays and editorials, lectures, reviews, introductions and prefaces, his letters show Eliot involving himself wholeheartedly in the business of his new career as a publisher. His Ariel poems, Journey of the Magi (1927) and A Song for Simeon (1928) established a new manner and vision for the poet of The Waste Land and The Hollow Men . These are also the years in which Eliot published two sections of an exhilaratingly funny, savage, jazz-influenced play-in-verse - Fragment of a Prologue and Fragment of an Agon - which were subsequently brought together as Sweeney Agonistes . In addition, he struggled to translate the remarkable work Anabase , by St. John Perse, which was to be a signal influence upon his own later poetry. This correspondence with friends and mentors vividly documents all the stages of Eliot's personal and artistic transformation during these crucial years, the continuing anxieties of his private life, and the forging of his public reputation
Alternative description
'The book amounts to a comprehensive literary history of the time .' David Sexton, Evening Standard
Volume 5 of The Letters of T. S. Eliot finds the poet, between the ages of forty-two and forty-four, reckoning with the strict implications of his Christian faith for his life, his work, and his poetry.
The letters between Eliot and his associates, family and friends - his correspondents range from the Archbishop of York and the American philosopher Paul Elmer More to the writers Virginia Woolf, Herbert Read and Ralph Hodgson - serve to illuminate the ways in which his Anglo-Catholic convictions could, at times, prove a self-chastising and even alienating force. 'Anyone who has been moving among intellectual circles and comes to the Church, may experience an odd and rather exhilarating feeling of isolation,' he remarks. Notwithstanding, he becomes fully involved in doctrinal he espouses the Church as an arena of discipline and order.
Eliot's relationship with his wife, Vivien, continues to be turbulent, and at times desperate, as her mental health deteriorates and the communication between husband and wife threatens, at the coming end of the year, to break down completely. At the close of this volume Eliot will accept a visiting professorship at Harvard University, which will take him away from England and Vivien for the academic year 1932-33.
Volume 5 of The Letters of T. S. Eliot finds the poet, between the ages of forty-two and forty-four, reckoning with the strict implications of his Christian faith for his life, his work, and his poetry.
The letters between Eliot and his associates, family and friends - his correspondents range from the Archbishop of York and the American philosopher Paul Elmer More to the writers Virginia Woolf, Herbert Read and Ralph Hodgson - serve to illuminate the ways in which his Anglo-Catholic convictions could, at times, prove a self-chastising and even alienating force. 'Anyone who has been moving among intellectual circles and comes to the Church, may experience an odd and rather exhilarating feeling of isolation,' he remarks. Notwithstanding, he becomes fully involved in doctrinal he espouses the Church as an arena of discipline and order.
Eliot's relationship with his wife, Vivien, continues to be turbulent, and at times desperate, as her mental health deteriorates and the communication between husband and wife threatens, at the coming end of the year, to break down completely. At the close of this volume Eliot will accept a visiting professorship at Harvard University, which will take him away from England and Vivien for the academic year 1932-33.
Alternative description
Volume Two covers the early years of his editorship of "The Criterion" (the periodical that Eliot launched with Lady Rothermere's backing in 1922), publication of "The Hollow Men" and the course of Eliot's thinking about poetry and poetics after "The Waste Land". The correspondence charts Eliot's intellectual journey towards conversion to the Anglican faith in 1927, as well as his transformation from banker to publisher, ending with his appointment as a director of the new publishing house of Faber & Gwyer, in late 1925, and the appearance of "Poems 1909-1925", Eliot's first publication with the house with which he would be associated for the rest of his life. It was partly because of Eliot's profoundly influential work as cultural commentator and editor that the correspondence is so prolific and so various, and Volume Two of the "Letters" fully demonstrates the emerging continuities between poet, essayist, editor and letter-writer.
Alternative description
This volume covers the production of Eliot's play The Family Reunion; the publication of The Idea of a Christian Society; and the joyous versifying of Old Possum's Book of Practical Cats. After exhausting himself through nights of fire-watching in the London wartime blackout, he travels the country, attends meetings of The Moot, delivers talks, and advises a fresh generation of writers including Cyril Connolly, Keith Douglas, Kathleen Raine and Vernon Watkins. Major correspondents include W. H. Auden, George Barker, William Empson, Geoffrey Faber, John Hayward, James Laughlin, Hope Mirrlees, Mervyn Peake, Ezra Pound, Michael Roberts, Stephen Spender, Tambimuttu, Allen Tate, Michael Tippett, Charles Williams and Virginia Woolf. Four Quartets, Eliot's culminating masterpiece, is discussed in detail.
Alternative description
This First Volume Of Eliot's Correspondence Covers His Childhood In St. Louis, Missouri, Through 1922, When He Married And Settled In England. The Contents Have Been Assembled By His Widow, Valerie, From Collections, Libraries, And Private Sources Worldwide. Published On The Centenary Of Eliot's Birth. Eliot's Correspondence From His Childhood In St. Louis Until He Had Settled In England And Published The Waste Land. Edited And With An Introduction By Valerie Eliot; Index; Photographs.
Alternative description
Published On The Centenary Of His Birth, This Volume Of The Correspondence Of T.s.eliot Covers The Period From His Childhood In St Louis, Missouri, Until The End Of 1922 - The Year Of The Waste Land And Seven Years After He Had Married And Settled In England. Edited By Valerie Eliot And Hugh Haughton ; General Editor, John Haffenden. Includes Bibliographical References And Indexes.
Alternative description
V. 1. 1898-1922 -- V. 2. 1923-1925 -- V. 3. 1926-1927 -- V. 4. 1928-1929 -- V. 5. 1930-1931 -- V. 6. 1932-1933 -- V. 7 1934-1935. -- V. 8. 1936-1938 Edited By Valerie Eliot. Vol. 2. Edited By Valerie Eliot And Hugh Haughton ; General Editor, John Haffenden. Vol. 3-7 . Edited By Valerie Eliot And John Haffenden. Includes Bibliographical References And Indexes.
Alternative description
The first volume of Eliot's correspondence covers his childhood in St. Louis, Missouri, through 1922, when he married, settled in England and published The Waste Land. The contents have been assembled by his widow, Valerie, from collections, libraries, and private sources worldwide. Published on the centenary of Eliot's birth.
Alternative description
Published on the centenary of his birth, this volume of the correspondence of T.S. Eliot covers the period from his childhood in St Louis, Missouri, until the end of 1922; the year he published The Waste Land and seven years after he had married and settled in England
Alternative description
The First Volume Of Eliot's Correspondence Covers His Childhood In St. Louis, Missouri, Through 1922, When He Married And Settled In England. Volume Two Covers The Time Period Of Eliot's Publication Of The Hallow Men And His Developing Ideas About Poetry.
date open sourced
2023-06-28
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