The twenty-five papers in this volume arise from a conference jointly organised by the British Archaeological Association and the Museu Nacional d’Art de Catalunya in Barcelona. They explore the making of art and architecture in Latin Europe and the Mediterranean between c . 1000 and c . 1250, with a particular focus on questions of patronage, design and instrumentality.
No previous studies of patterns of artistic production during the Romanesque period rival the breadth of coverage encompassed by this volume – both in terms of geographical origin and media, and in terms of historical approach. Topics range from case studies on Santiago de Compostela, the Armenian Cathedral in Jerusalem and the Winchester Bible to reflections on textuality and donor literacy, the culture of abbatial patronage at Saint-Michel de Cuxa and the re-invention of slab relief sculpture around 1100. The volume also includes papers that attempt to recover the procedures that coloured interaction between artists and patrons – a serious theme in a collection that opens with ‘Function, condition and process in eleventh-century Anglo-Norman church architecture’ and ends with a consideration of ‘The death of the patron’.

nexusstc/Romanesque Patrons and Processes: Design and Instrumentality in the Art and Architecture of Romanesque Europe (British Archaeological Association Conference Transactions)/d019da240932b59d7c0331ce6d4a7dcd.pdf

lgli/Romanesque Patrons and Processes - Camps i Soria, Jordi,Britishssociation.,Castineiras, Manuel A.,McNeill, John,Plant, Richard (1).pdf

lgrsnf/Romanesque Patrons and Processes - Camps i Soria, Jordi,Britishssociation.,Castineiras, Manuel A.,McNeill, John,Plant, Richard (1).pdf

Jordi Camps i Sòria; Manuel Antonio Castiñeiras González; John McNeill; Richard Plant; British Archaeological Association; Biennial International Romanesque Conference

Jordi Camps i Sòria; Manuel Antonio Castiñeiras González; John McNeill; Richard Plant; British Archaeological Association; Museu Nacional d'Art de Catalunya

Camps i Sòria, Jordi,British Archaeological Association.,Castiñeiras, Manuel A.,McNeill, John,Plant, Richard

Biennial international Romanesque conferences

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Ashgate Publishing Limited

Taylor & Francis Ltd

Gower Publishing Ltd

Taylor and Francis

Routledge Ltd

The British Archaeological Association Conference Transactions, First edition, London, 2018

British Archaeological Association conference transactions, Andover, 2018

Taylor & Francis (Unlimited), New York, 2018

United Kingdom and Ireland, United Kingdom

London ; New York N.Y, 2018

1, 2018-03-21

1, PS, 2018

producers:
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Cover 1
Title 4
Copyright 5
Contents 6
Advisory panel 8
Notes on contributors 9
Preface 13
Chapter abstracts 14
Colour plates 22
Function, condition and process in eleventh-century Anglo-Norman church architecture 44
Matilda and the cities of the Gregorian Reform 58
Romanesque Cathedrals in Northern Italy – building processes between bishop and commune 74
Episcopal patronage in the reform of Catalan Cathedral canonries during the first Romanesque period: A new approach 82
The role of kings and bishops in the introduction of Romanesque art in Navarre and Aragon 90
From Peláez to Gelmírez: the problem of art patronage at the Romanesque Cathedral of Santiago de Compostela 106
Patronage, Romanesque architecture and the Languedoc 116
The Armenian Cathedral of Saints James in Jerusalem: Melisende and the question of exchange between East And West 126
Grandmont and the English Kings: An example of patronage in the context of an ascetic architectural trend 136
The Hospital, England and Sigena: A footnote 152
Henry of Blois, St Hugh and Henry II: The Winchester Bible reconsidered 160
Patrons, institutions and public in the making of Catalan Romanesque art during the Comital period (1000–1137) 186
The artistic patronage of Abbot Gregorius at Cuixà: Models and tributes 202
A Limousin ciborium in medieval Catalonia 218
The Jaca ivories: Towards a revaluation of eleventh-century female artistic patronage in the Kingdom of Aragon 226
The Aemilian casket reliquary: A product of institutional patronage 238
Patronage at the Cathedral of Tarragona: Cult and residential space 248
An Anglo-Norman at Terrassa? Augustinian Canons and Thomas Becket at the end of the twelfth century 262
Agency and the re-invention of slab relief sculpture at San Isidoro de León c. 1100 278
Patron and liturgy: The liturgical setting of the Cathedral Church of San Martino in Lucca after 1070 and the Gregorian Reform 294
The ‘Literate’ lay donor: Textuality and the Romanesque patron 302
Remarks on patron inscriptions with restricted presence 322
The twelfth-century patrons of the Bridekirk font 334
The scope of competence of the painter and the patron in mural painting in the Romanesque period 356
The death of the patron: Agency, style and the making of the Liber Feudorum Maior of Barcelona 370
Index 380

"The twenty-five papers in this volume arise from a conference jointly organised by the British Archaeological Association and the Museu Nacional d'Art de Catalunya in Barcelona. They explore the making of art and architecture in Latin Europe and the Mediterranean between c. 1000 and c. 1250, with a particular?focus on questions of?patronage, design and instrumentality across Latin Europe and the Mediterranean. No?previous studies of?patterns of artistic production during the Romanesque period rival the?breadth of coverage?encompassed?by this volume?- both in terms of geographical origin and media, and in terms of?historical approach. Topics?range from case studies on Santiago de Compostela, the Armenian Cathedral in Jerusalem and the Winchester Bible to reflections on textuality and donor literacy, the culture of abbatial patronage at Saint-Michel de Cuxa and the re-invention of slab relief sculpture around 1100. The?volume also includes papers that attempt to recover the procedures that coloured interaction between artists and patrons -?a?serious?theme in a?collection that opens?with 'Function, Conditionality and Process in Anglo-Norman Architecture' and ends with a consideration of 'The Death of the Patron'."--Provided by publisher

The twenty-five papers in this volume arise from a conference jointly organised by the British Archaeological Association and the Museu Nacional d'Art de Catalunya in Barcelona. They explore the making of art and architecture in Latin Europe and the Mediterranean between c. 1000 and c. 1250, with a particular focus on questions of patronage, design and instrumentality.0No previous studies of patterns of artistic production during the Romanesque period rival the breadth of coverage encompassed by this volume - both in terms of geographical origin and media, and in terms of historical approach. Topics range from case studies on Santiago de Compostela, the Armenian Cathedral in Jerusalem and the Winchester Bible to reflections on textuality and donor literacy, the culture of abbatial patronage at Saint-Michel de Cuxa and the re-invention of slab relief sculpture around 1100

This volume explores the making of art and architecture in Latin Europe and the Mediterranean between c. 1000 and c. 1250, with a focus on patronage, design and instrumentality.

2023-10-31