Shakespeare, William, 1564-1616. - Search

lgli/Isaac Asimov [Asimov, Isaac] - Asimov's Guide to Shakespeare: A Guide to Understanding and Enjoying the Works of Shakespeare (1978, Avenel).epub

Asimov's guide to Shakespeare vol 1-2 Isaac Asimov; ill. by Rafael Palacios Avenel Books : distributed by Crown Publishers, New York, New York State, 1978

✅ English [en] · EPUB · 1.0MB · 1978 · 📘 Book (non-fiction) · 🚀/lgli/zlib · Save

lgli/P:\Bibliotheca Alexandrina\3. Middle Ages\Medieval Literature\Helen Cooper - Shakespeare and the Medieval World [Retail].pdf

Shakespeare and the Medieval World Helen Cooper, Helen Cooper Bloomsbury Publishing Plc, The Arden Critical Companions, London, United Kingdom, 2014-09-26

Helen Cooper's unique study examines how continuations of medieval culture into the early modern period, forged Shakespeare's development as a dramatist and poet. Medieval culture pervaded his life and work, from his childhood, spent within reach of the last performances of the Coventry Corpus Christi plays, to his dramatisation of Chaucer in The Two Noble Kinsmen three years before his death. The world he lived in was still largely a medieval one, in its topography and its institutions. The language he spoke had been forged over the centuries since the Norman Conquest. The genres in which he wrote, not least historical tragedy, love-comedy and romance, were medieval inventions. A high proportion of his plays have medieval origins and he kept returning to Chaucer, acknowledged as the greatest poet in the English language. Above all, he grew up with an English tradition of drama developed during the Middle Ages that assumed that it was possible to stage anything - all time, all space. Shakespeare and the Medieval World provides a panoramic overview that opens up new vistas within his work and uncovers the richness of his inheritance.

✅ English [en] · PDF · 8.4MB · 2014 · 📘 Book (non-fiction) · 🚀/lgli/zlib · Save

nexusstc/Shakespeare and the Medieval World/b63f18f147869a82e265ffccac4d4348.pdf

Shakespeare and the Medieval World Helen Cooper, Helen Cooper Bloomsbury Publishing Plc, The Arden Critical Companions, London, United Kingdom, 2014-09-26

Helen Cooper's unique study examines how continuations of medieval culture into the early modern period, forged Shakespeare's development as a dramatist and poet. Medieval culture pervaded his life and work, from his childhood, spent within reach of the last performances of the Coventry Corpus Christi plays, to his dramatisation of Chaucer in The Two Noble Kinsmen three years before his death. The world he lived in was still largely a medieval one, in its topography and its institutions. The language he spoke had been forged over the centuries since the Norman Conquest. The genres in which he wrote, not least historical tragedy, love-comedy and romance, were medieval inventions. A high proportion of his plays have medieval origins and he kept returning to Chaucer, acknowledged as the greatest poet in the English language. Above all, he grew up with an English tradition of drama developed during the Middle Ages that assumed that it was possible to stage anything - all time, all space. Shakespeare and the Medieval World provides a panoramic overview that opens up new vistas within his work and uncovers the richness of his inheritance.

✅ English [en] · PDF · 8.5MB · 2014 · 📘 Book (non-fiction) · 🚀/lgli/lgrs/nexusstc/zlib · Save

lgli/s:\NZB\usenet_complete7\b_2021-07-04 - b6566dac000e7d7a3a201f0dfa8bbf8f - Nonfiction.Ebook.PDF.JUL21-PHC/9781904271789.Bloomsbury.Shakespeare_and_the_Medieval_World.Helen_Cooper.Oct.2012.pdf

Shakespeare and the Medieval World Helen Cooper, Helen Cooper Bloomsbury Publishing Plc, The Arden Critical Companions, London, United Kingdom, 2014-09-26

Helen Cooper's unique study examines how continuations of medieval culture into the early modern period, forged Shakespeare's development as a dramatist and poet. Medieval culture pervaded his life and work, from his childhood, spent within reach of the last performances of the Coventry Corpus Christi plays, to his dramatisation of Chaucer in The Two Noble Kinsmen three years before his death. The world he lived in was still largely a medieval one, in its topography and its institutions. The language he spoke had been forged over the centuries since the Norman Conquest. The genres in which he wrote, not least historical tragedy, love-comedy and romance, were medieval inventions. A high proportion of his plays have medieval origins and he kept returning to Chaucer, acknowledged as the greatest poet in the English language. Above all, he grew up with an English tradition of drama developed during the Middle Ages that assumed that it was possible to stage anything - all time, all space. Shakespeare and the Medieval World provides a panoramic overview that opens up new vistas within his work and uncovers the richness of his inheritance.

✅ English [en] · PDF · 8.6MB · 2014 · 📘 Book (non-fiction) · 🚀/lgli/lgrs/nexusstc/zlib · Save

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nexusstc/Shakespeare and the Medieval World/64585a4dae4abc62d874266057c5bcf0.pdf

Shakespeare and the Medieval World Helen Cooper, Helen Cooper Bloomsbury Publishing Plc, The Arden Critical Companions, London, United Kingdom, 2014-09-26

Helen Cooper's unique study examines how continuations of medieval culture into the early modern period, forged Shakespeare's development as a dramatist and poet. Medieval culture pervaded his life and work, from his childhood, spent within reach of the last performances of the Coventry Corpus Christi plays, to his dramatisation of Chaucer in The Two Noble Kinsmen three years before his death. The world he lived in was still largely a medieval one, in its topography and its institutions. The language he spoke had been forged over the centuries since the Norman Conquest. The genres in which he wrote, not least historical tragedy, love-comedy and romance, were medieval inventions. A high proportion of his plays have medieval origins and he kept returning to Chaucer, acknowledged as the greatest poet in the English language. Above all, he grew up with an English tradition of drama developed during the Middle Ages that assumed that it was possible to stage anything - all time, all space. Shakespeare and the Medieval World provides a panoramic overview that opens up new vistas within his work and uncovers the richness of his inheritance.

✅ English [en] · PDF · 8.4MB · 2014 · 📘 Book (non-fiction) · 🚀/lgli/lgrs/nexusstc/zlib · Save

upload/cgiym_more/Classists Data Dump/Bibliotheca Alexandrina [UPDATED FEB 2023]/3. Middle Ages/Medieval Literature/Helen Cooper - Shakespeare and the Medieval World (Arden Critical Companions) [Retail].pdf

Shakespeare and the Medieval World Helen Cooper, Helen Cooper Bloomsbury Publishing Plc, The Arden Critical Companions, London, United Kingdom, 2014-09-26

Helen Cooper's unique study examines how continuations of medieval culture into the early modern period, forged Shakespeare's development as a dramatist and poet. Medieval culture pervaded his life and work, from his childhood, spent within reach of the last performances of the Coventry Corpus Christi plays, to his dramatisation of Chaucer in The Two Noble Kinsmen three years before his death. The world he lived in was still largely a medieval one, in its topography and its institutions. The language he spoke had been forged over the centuries since the Norman Conquest. The genres in which he wrote, not least historical tragedy, love-comedy and romance, were medieval inventions. A high proportion of his plays have medieval origins and he kept returning to Chaucer, acknowledged as the greatest poet in the English language. Above all, he grew up with an English tradition of drama developed during the Middle Ages that assumed that it was possible to stage anything - all time, all space. Shakespeare and the Medieval World provides a panoramic overview that opens up new vistas within his work and uncovers the richness of his inheritance.

✅ English [en] · PDF · 8.6MB · 2014 · 📘 Book (non-fiction) · 🚀/upload/zlib · Save

ia/ageofkingshistor00shak.pdf

An age of kings : the historical plays of William Shakespeare as presented on the British Broadcasting Corporation television series "An age of kings" synopses by Nathan and An Keats; introduction by Oscar James Campbell New York: Pyramid Books, New York, New York State, 1961

"Eight famous historical plays of the turbulent reigns of seven great English monarchs -- as presented on the celebrated televison series produced by the British Broadcasting Corporation. Each of the plays is preceded by a summary and a description of the historical background, prepared by Nathan and An Keats."

English [en] · PDF · 45.6MB · 1961 · 📗 Book (unknown) · 🚀/ia · Save

ia/greatcomediestra0000shak.pdf

The Comedies with Introductions by Judith Buchanan These Comedies are among the best loved of Shakespeare's plays. In each a problem emerges, is then intensified to a point of maximum confusion and potential upset, before the chaos is resolved, however improbably, into general goodwill and a spate of marriages. The triumph of these plays lies in the way they mingle humorous stage business and dexterous word play with a more serious study of identity, gender, dreaming, the meaning of love, even of the theatre itself. They reassure us that with all its faults, the world will always in the end be redeemable. The Tragedies with Introductions by Emma Smith 'Not for an age but for all time.' So Ben Jonson established what we now take for granted: Shakespeare's unique place among the world's great authors. Romeo and Juliet shows us the archetypal story of fated young love; Hamlet, the tortured psyche of the young prince of Denmark; Othello, a strikingly modern representation of racial difference; King Lear, a man stripped of all material and psychological comforts; and Macbeth, a dark investigation of the origins and effects of, evil. The plays throw a fascinating light on the concerns of Shakespeare's day, yet offer perennial insights into the nature of human emotion.

English [en] · PDF · 34.2MB · 2005 · 📗 Book (unknown) · 🚀/ia · Save

ia/elizabethandrama00dean.pdf

Elizabethan drama edited by Leonard Dean Englewood Cliffs, N.J.: Prentice-Hall, English masterpieces -- v.2, Englewood Cliffs, N.J, New Jersey, 1950

Contains: - Doctor Faustus - King Henry IV. Part 1 - Duchess of Malfi

English [en] · PDF · 17.1MB · 1950 · 📗 Book (unknown) · 🚀/ia · Save

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upload/wll/ENTER/Fict-Bio/Shakespeare, William 1564-1616/Shakespeare Plays/Edward the Third.lit

Edward the Third Shakespeare, William Electronic Text Center. University of Virginia Library., 2000

fiction, drama

English [en] · LIT · 0.2MB · 2000 · 📕 Book (fiction) · 🚀/lgli/lgrs/upload/zlib · Save

ia/reinventingshake00tayl.pdf

Reinventing Shakespeare : a cultural history, from the Restoration to the present Taylor, Gary, 1953- Weidenfeld & Nicolson; Grove/Atlantic, Incorporated, 1st ed., New York, New York State, 1989

As an actor, William Shakespeare reinvented himself almost every day. At the height of his career, he often performed in six different plays on six consecutive days. He stopped reinventing himself when he died on April 23, 1616, but, as Gary Taylor tells us in this bold, provocative, irreverent history of Shakespeare's reputation through the ages, we have been reinventing him ever since. Taylor, who sparked a worldwide controversy in 1985 by announcing his discovery of a "new" Shakespeare poem "Shall I die?," presents a brilliantly argued, wryly humorous discussion of the ways in which society "reinvents" Shakespeare—and to some extent all great literature—to suit its own ends. He reveals how Shakespeare's reputation has benefited from such diverse and unpredictable factors as the dearth of new plays after the Restoration; the decline of tragedy in the eighteenth century, when, as Taylor puts it, "Shakespeare was kept on the menu because he was the only serious dish [the repertoire companies] knew how to cook"; the changing social status of women in the nineteenth century; England's longstanding rivalry with France, which turned Shakespeare into the great advocate of conservative British values; and the current trend in academia toward shockingly unorthodox views, which has turned Shakespeare into the great ally of radical Marxist and feminist critics. Through the centuries, critics have cited the same Shakespeare—often the very same play—as the supporter of a vast array of world views. Examining each period's method of invoking the Bard's "greatness" to support a series of conflicting values, Taylor questions what actually constitutes greatness. He insists on examining the criteria of each epoch on its own terms in order to demonstrate how literary criticism can often become the most telling form of social commentary. Reinventing Shakespeare offers nothing less than a major reevaluation of Shakespeare, his writing, his place in world history, and the very bases of aesthetic judgment. In an irreverent and provocative history of Shakespeare's reputation through the ages, Gary Taylor presents a brilliantly argued discussion of the ways in which society "reinvents" Shakespeare as the supporter of a vast array of world views, from conservative to unorthodox to radical and feminist perspectives. "Fascinating."--The New York Times.

English [en] · PDF · 28.1MB · 1989 · 📗 Book (unknown) · 🚀/ia · Save

ia/liang.reinventingshake0001tayl.pdf

Reinventing Shakespeare : a cultural history, from the Restoration to the present Taylor, Gary, 1953- Weidenfeld & Nicolson; Grove/Atlantic, Incorporated, 1st ed., New York, New York State, 1989

As an actor, William Shakespeare reinvented himself almost every day. At the height of his career, he often performed in six different plays on six consecutive days. He stopped reinventing himself when he died on April 23, 1616, but, as Gary Taylor tells us in this bold, provocative, irreverent history of Shakespeare's reputation through the ages, we have been reinventing him ever since. Taylor, who sparked a worldwide controversy in 1985 by announcing his discovery of a "new" Shakespeare poem "Shall I die?," presents a brilliantly argued, wryly humorous discussion of the ways in which society "reinvents" Shakespeare—and to some extent all great literature—to suit its own ends. He reveals how Shakespeare's reputation has benefited from such diverse and unpredictable factors as the dearth of new plays after the Restoration; the decline of tragedy in the eighteenth century, when, as Taylor puts it, "Shakespeare was kept on the menu because he was the only serious dish [the repertoire companies] knew how to cook"; the changing social status of women in the nineteenth century; England's longstanding rivalry with France, which turned Shakespeare into the great advocate of conservative British values; and the current trend in academia toward shockingly unorthodox views, which has turned Shakespeare into the great ally of radical Marxist and feminist critics. Through the centuries, critics have cited the same Shakespeare—often the very same play—as the supporter of a vast array of world views. Examining each period's method of invoking the Bard's "greatness" to support a series of conflicting values, Taylor questions what actually constitutes greatness. He insists on examining the criteria of each epoch on its own terms in order to demonstrate how literary criticism can often become the most telling form of social commentary. Reinventing Shakespeare offers nothing less than a major reevaluation of Shakespeare, his writing, his place in world history, and the very bases of aesthetic judgment. In an irreverent and provocative history of Shakespeare's reputation through the ages, Gary Taylor presents a brilliantly argued discussion of the ways in which society "reinvents" Shakespeare as the supporter of a vast array of world views, from conservative to unorthodox to radical and feminist perspectives. "Fascinating."--The New York Times.

English [en] · PDF · 46.8MB · 1989 · 📗 Book (unknown) · 🚀/ia · Save

ia/falstafflyriccom00verd.pdf

Falstaff : lyric comedy in three acts : based on Shakespeare's "The merry wives of Windsor" and passages from "Henry IV" music by Giuseppe Verdi; libretto by Arrigo Boito; English version by Walter Ducloux New York: G. Schirmer, G. Schirmer's collection of opera librettos, New York, New York State, 1962

Libretto of Verdi's opera Falstaff, after The Merry Wives of Windsor by William Shakespeare.

English [en] · Italian [it] · PDF · 5.0MB · 1962 · 📗 Book (unknown) · 🚀/ia · Save

ia/harvaclassics0000unse.pdf

Elizabethan drama : Marlowe, Shakespeare, with introduction and notes William Shakespeare; Christopher Marlowe New York: Collier, The Harvard classics -- [v. 46], 62nd printing, New York, New York State, 1969

Contains: - Edward the Second - [Hamlet](https://openlibrary.org/works/OL15203981W/Hamlet) - King Lear - Macbeth - [Tempest](https://openlibrary.org/works/OL362699W)

English [en] · PDF · 16.7MB · 1969 · 📗 Book (unknown) · 🚀/ia · Save

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ia/reinventingshake0000unse.pdf

Reinventing Shakespeare : a cultural history, from the Restoration to the present Taylor, Gary, 1953- Weidenfeld & Nicolson; Grove/Atlantic, Incorporated, 1st ed., New York, New York State, 1989

As an actor, William Shakespeare reinvented himself almost every day. At the height of his career, he often performed in six different plays on six consecutive days. He stopped reinventing himself when he died on April 23, 1616, but, as Gary Taylor tells us in this bold, provocative, irreverent history of Shakespeare's reputation through the ages, we have been reinventing him ever since. Taylor, who sparked a worldwide controversy in 1985 by announcing his discovery of a "new" Shakespeare poem "Shall I die?," presents a brilliantly argued, wryly humorous discussion of the ways in which society "reinvents" Shakespeare—and to some extent all great literature—to suit its own ends. He reveals how Shakespeare's reputation has benefited from such diverse and unpredictable factors as the dearth of new plays after the Restoration; the decline of tragedy in the eighteenth century, when, as Taylor puts it, "Shakespeare was kept on the menu because he was the only serious dish [the repertoire companies] knew how to cook"; the changing social status of women in the nineteenth century; England's longstanding rivalry with France, which turned Shakespeare into the great advocate of conservative British values; and the current trend in academia toward shockingly unorthodox views, which has turned Shakespeare into the great ally of radical Marxist and feminist critics. Through the centuries, critics have cited the same Shakespeare—often the very same play—as the supporter of a vast array of world views. Examining each period's method of invoking the Bard's "greatness" to support a series of conflicting values, Taylor questions what actually constitutes greatness. He insists on examining the criteria of each epoch on its own terms in order to demonstrate how literary criticism can often become the most telling form of social commentary. Reinventing Shakespeare offers nothing less than a major reevaluation of Shakespeare, his writing, his place in world history, and the very bases of aesthetic judgment. In an irreverent and provocative history of Shakespeare's reputation through the ages, Gary Taylor presents a brilliantly argued discussion of the ways in which society "reinvents" Shakespeare as the supporter of a vast array of world views, from conservative to unorthodox to radical and feminist perspectives. "Fascinating."--The New York Times.

English [en] · PDF · 20.9MB · 1989 · 📗 Book (unknown) · 🚀/ia · Save

ia/studyofshakespea0000bayf.pdf

A study of Shakespeare's versification : with an inquiry into the trustworthiness of the early texts, an examination of the 1616 folio of Ben Jonson's Works, and appendices, including a revised text of Antony and Cleopatra M A Bayfield; William Shakespeare Folcroft, Pa.: Folcroft Library Editions, [Folcroft, Pa.], Pennsylvania, 1970

x, 521 p. ; 24 cm Reprint of the 1920 ed. published at the University Press, Cambridge

English [en] · PDF · 21.8MB · 1970 · 📗 Book (unknown) · 🚀/ia · Save

ia/tempestkinglear00shak.pdf

The Tempest / King Lear Shakespeare, William, 1564-1616; Evans, Bertrand, 1912-1999. ed; Shakespeare, William, 1564-1616. King Lear; Evans, Bertrand, 1912-1999. ed; Shakespeare, William, 1564-1616. King Lear Macmillan Company, Literary Heritage Series, New York, USA, New York State, 1963

Contains: - King Lear - [Tempest](https://openlibrary.org/works/OL362699W/Tempest)

English [en] · PDF · 12.5MB · 1963 · 📗 Book (unknown) · 🚀/ia · Save

upload/duxiu_main/v/rar/S/Shakespeare, William/Complete Works Of William Shakespeare, The.txt

Complete Works Of William Shakespeare Shakespeare, William 0

English [en] · TXT · 5.7MB · 📕 Book (fiction) · 🚀/lgli/lgrs/upload/zlib · Save

ia/tentalesfromshak00lamb.pdf

Ten tales from Shakespeare [by] Charles & Mary Lamb. Pictures by Grabianski New York, F. Watts, New York, New York State, 1969

The tempest. A midsummer night's dream. The taming of the shrew. The winter's tale. Much ado about nothing. Twelfth night. Romeo and Juliet. Macbeth. Hamlet, Prince of Denmark. Othello.

English [en] · PDF · 12.6MB · 1969 · 📗 Book (unknown) · 🚀/ia · Save

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ia/majorplayssonnet00shak.pdf

Major Plays and the Sonnets (Antony and Cleopatra / As You Like It / Coriolanus / Hamlet / Julius Caesar / King Henry IV. Part 1 / King Henry IV. Part 2 / King Henry V / King Lear / King Richard II / King Richard III / Love's Labour's Lost / Macbeth / Measure for Measure / Merchant of Venice / Midsummer Night's Dream / Much Ado About Nothing / Othello / Romeo and Juliet / Sonnets / Tempest / Troilus and Cressida / Twelfth Night / Winter's Tale) Shakespeare; edited by G.B. Harrison Harcourt, Brace and Company, New York, USA, New York State, 1948

Contains: Antony and Cleopatra As You Like It Coriolanus [Hamlet](https://openlibrary.org/works/OL15203981W/Hamlet) Julius Caesar King Henry IV. Part 1 King Henry IV. Part 2 King Henry V King Lear King Richard II King Richard III Love's Labour's Lost Macbeth Measure for Measure Merchant of Venice Midsummer Night's Dream [Much Ado About Nothing](https://openlibrary.org/works/OL362691W) Othello [Romeo and Juliet](https://openlibrary.org/works/OL362705W/Romeo_and_Juliet) Sonnets [Tempest](https://openlibrary.org/works/OL362699W) Troilus and Cressida Twelfth Night Winter's Tale

English [en] · PDF · 74.2MB · 1948 · 📗 Book (unknown) · 🚀/ia · Save

lgli/F:\Library.nu\84\_183050.8418fc412f8e59156cbdb0320d03a2ce.pdf

The Rough Guide to Shakespeare 2 (Rough Guide Reference) Andrew Dickson, Rough Guides Rough Guides Ltd, 2nd ed., London, New York, England, 2009

The Rough Guide to Shakespeare is the ultimate guide to the life and work of the world’s greatest playwright; William Shakespeare. With full coverage of the 38 Shakespearian plays, including a synopsis, full character list, stage history and a critical essay for each, this comprehensive guide is both a quick reference and in-depth background guide for theatergoers, students, film buffs and lovers of literature alike. The Rough Guide to Shakespeare also explores Shakespeare’s sonnets and Shakespeare’s less well-known narrative poems, combined with fascinating accounts of Shakespeare’s life and theatre, exploring in colourful detail each play’s original performances. This fully updated guide includes a new ‘My Shakespeare’ chapter with directors & actors including Sir Ian McKellen, Christopher Plummer and Zo? Wanamaker, as well as tips for introducing your children to Shakespeare with recommended graphic novels, adaptations and DVDs for all age groups. With up-to-date reviews of the best films and audio recordings from Olivier to Luhrmann, and Kosintzev to Kurosawa, the Rough Guide to Shakespeare is a celebration of all classic and contemporary Shakespearian productions.

English [en] · PDF · 15.6MB · 2009 · 📘 Book (non-fiction) · 🚀/lgli/lgrs/nexusstc/zlib · Save

ia/isbn_9781587263545.pdf

Three Romantic Tragedies Shakespeare, William, 1564-1616; Shakespeare, William, 1564-1616. Romeo and Juliet; Shakespeare, William, 1564-1616. Othello; Shakespeare, William, 1564-1616. Antony and Cleopatra Ann Arbor, MI: Borders Classics by special arrangement with Ann Arbor Media Group, Ann Arbor, MI, USA, Michigan, 2006

Contains: - Antony and Cleopatra - Othello - [Romeo and Juliet](https://openlibrary.org/works/OL362705W/Romeo_and_Juliet)

English [en] · PDF · 19.0MB · 2006 · 📗 Book (unknown) · 🚀/ia · Save

ia/roughguidetoshak0000dick_a6c4.pdf

The Rough Guide to Shakespeare : The Plays, the Poems, the Life Dickson, Andrew, 1979-; Staines, Joe Penguin Random House LLC, Penguin Random House LLC, London, 2009

The Rough Guide to Shakespeare is the ultimate guide to the life and work of the world's greatest playwright; William Shakespeare. With full coverage of the 38 Shakespearian plays, including a synopsis, full character list, stage history and a critical essay for each, this comprehensive guide is both a quick reference and in-depth background guide for theatergoers, students, film buffs and lovers of literature alike. The Rough Guide to Shakespeare also explores Shakespeare's sonnets and Shakespeare's less well-known narrative poems, combined with fascinating accounts of Shakespeare's life and theatre, exploring in colourful detail each play's original performances. This fully updated guide includes a new 'My Shakespeare' chapter with directors & actors including Sir Ian McKellen, Christopher Plummer and Zoe Wanamaker, as well as tips for introducing your children to Shakespeare with recommended graphic novels, adaptations and DVDs for all age groups. With up-to-date reviews of the best films and audio recordings from Olivier to Luhrmann, and Kosintzev to Kurosawa, the Rough Guide to Shakespeare is a celebration of all classic and contemporary Shakespearian productions.

English [en] · PDF · 49.0MB · 2009 · 📗 Book (unknown) · 🚀/ia · Save

ia/greatfolioof16230000john.pdf

The great folio of 1623: Shakespeare's plays in the printing house. John W. Shroeder Shoe String Press, Hamden (Conn.), United States, 1956

English [en] · PDF · 9.1MB · 1956 · 📗 Book (unknown) · 🚀/ia · Save

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ia/shakespearesphil0000rebh.pdf

Shakespeare's Philosophy Of History Revealed In Detailed Analysis Of Henry V And Examined In Other History Plays (studies In Renaissance Literature, V. 25) Ronald A. Rebholz The E. Mellen Press, Studies in Renaissance literature ;, v. 25, Lewiston, N.Y, New York State, 2003

The notion that "new" worlds of post-revolutionary political realities are inevitably degradations of earlier eras is ubiquitous in English drama of the period, but perhaps most strikingly evident in Shakespeare's Henry V , argues Rebholz (English, Stanford U.). He explores this theme in the play, comparing it with other English history plays written before 1600 and relating it to developments in late Elizabethan and early Jacobean political ideologies of war and government. He also addresses issues of historical causality and attempts to reconcile the longstanding problem of Henry's contending voices (from the work of Norman Rabkin) within a single framework. Annotation (c) Book News, Inc., Portland, OR (booknews.com)

English [en] · PDF · 8.7MB · 2003 · 📗 Book (unknown) · 🚀/ia · Save

ia/shakespeareancom0000parr.pdf

Shakespearean comedy Thomas Marc Parrott Oxford University Press, New York, New York State, 1949

417 p. ; 23 cm

English [en] · PDF · 18.3MB · 1949 · 📗 Book (unknown) · 🚀/ia · Save

ia/shakespeareinmus0000hart.pdf

Shakespeare in music: essays by John Stevens [and others] with a catalog of musical works London: Macmillan ; New York: St. Martin's Press, London, New York, England, 1964

333 p. : "Catalogue of musical works based on the plays and poetry of Shakespeare, compiled by Winton Dean, Dorothy Moore And Phyllis Hartnoll": p.243-290

English [en] · PDF · 15.4MB · 1964 · 📗 Book (unknown) · 🚀/ia · Save

ia/badquartoofhamle0000duth.pdf

The 'bad' quarto of Hamlet; a critical study George Ian Duthie Cambridge [Eng.]: The University press, Shakespeare problems ;, 6., Cambridge [Eng.], Unknown, 1941

xi, 279 p. ; 19 cm

English [en] · PDF · 10.2MB · 1941 · 📗 Book (unknown) · 🚀/ia · Save

ia/shylockshakespea0000more.pdf

Shylock and Shakespeare by Abraham Morevski. Translated by Mirra Ginsburg St. Louis, Fireside Books, St. Louis, Missouri, 1967

xvi, 95 p. 24 cm

English [en] · PDF · 5.9MB · 1967 · 📗 Book (unknown) · 🚀/ia · Save

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Shakespeare, Aphra Behn, and the canon W. R Owens; Lizbeth Goodman; Aphra Behn; William Shakespeare Routledge in association with the Open University, 2023

A clear introduction to the idea of the canon, exploring the process by which certain works, and not others, receive high cultural status. The work of Shakespeare and Aphra Behn is used to illustrate and challenge this process.

English [en] · EPUB · 54.6MB · 2023 · 📗 Book (unknown) · 🚀/zlib · Save

ia/demonicmetaphysi0000curr.pdf

The demonic metaphysics of Macbeth by Walter Clyde Curry Chapel Hill, Chapel Hill, North Carolina, 1933

32 p Cover title Includes bibliographical references

English [en] · PDF · 3.6MB · 1933 · 📗 Book (unknown) · 🚀/ia · Save

ia/englishmasterpie0002unse.pdf

Elizabethan drama Dean, Leonard F. (Leonard Fellows), 1909-1999; Marlowe, Christopher, 1564-1593. Tragical history of Dr. Faustus; Shakespeare, William, 1564-1616. Henry the Fourth, part one; Shakespeare, William, 1564-1616. King Lear; Webster, John, 1580?-1625? Duchess of Malfi Englewood Cliffs, N.J.: Prentice-Hall, Volume 2, 1950

334 pages ; 20 cm Biographical and bibliographical references: pages 331-334 Marlowe, C. The Tragical history of Dr. Faustus.--Shakespeare, W. Henry the Fourth, part one. King Lear.--Webster, J. The Duchess of Malfi

English [en] · PDF · 12.3MB · 1950 · 📗 Book (unknown) · 🚀/ia · Save

ia/elizabethanstage0000unse_d6f4.pdf

Elizabethan stage conditions: a study of their place in the interpretation of Shakespeare's plays. The Harness prize essay, 1931 M. C. Bradbrook Archon Books, [Hamden, Conn.], Connecticut, 1962

English [en] · PDF · 5.9MB · 1962 · 📗 Book (unknown) · 🚀/ia · Save

ia/shakespeareapocr0000shak.pdf

The Shakespeare apocrypha, being a collection of fourteen plays which have been ascribed to Shakespeare edited, with introduction, notes and bibliography, by C. F. Tucker Brooke Oxford, Clarendon P, Oxford, England, 1967

Contains: Arden of Feversham Birth of Merlin Fair Em King Edward III Locrine London prodigal Merry devil of Edmonton Mucedorus Puritan Sir John Oldcastle Sir Thomas More Thomas, lord Cromwell Two noble kinsmen Yorkshire tragedy

English [en] · PDF · 27.0MB · 1967 · 📗 Book (unknown) · 🚀/ia · Save

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ia/shaksperessilenc00thalrich.pdf

Shakspere's silences by Alwin Thaler Cambridge, Mass., Harvard University Press, Cambridge, Mass, Unknown, 1929

Shakspere's silences. Shakspere and the unhappy happy ending. Shakspere and Sir Thomas Browne. The Shaksperian element in Milton. Milton in the theatre. Epilogue: On Shakspere's epilogues. Appendix: Illustrations of Shakspere's "vulgar errors."

English [en] · PDF · 13.8MB · 1929 · 📗 Book (unknown) · 🚀/ia · Save

ia/shakespearesboya0000davi.pdf

Shakespeare's boy actors [by] W. Robertson Davies New York: Russell & Russell, New York, New York State, 1964

vii, 207, [10] leaves of plates : 23 cm "First published in 1939. Reissued, 1964." Includes bibliographical references (p. [208])

English [en] · PDF · 8.8MB · 1964 · 📗 Book (unknown) · 🚀/ia · Save

ia/plotoutlinesofsh00mccu.pdf

Plot outlines of Shakespeare's histories: scene by scene [by] J. Wilson McCutchan [New York] Barnes & Noble, Barnes & Noble focus books,, no. 711, [New York], New York State, 1965

vii, 184 p. 21 cm

English [en] · PDF · 11.6MB · 1965 · 📗 Book (unknown) · 🚀/ia · Save

ia/pacificcoaststud0000univ.pdf

Pacific coast studies in Shakespeare Edited by Waldo F. McNeir and Thelma N. Greenfield Eugene, Eugene, Oregon, 1966

v, 315 p. 24 cm "Published in honor of the four hundredth anniversary in 1964 of the birth of ... [William Shakespeare]" Bibliographical footnotes

English [en] · PDF · 14.5MB · 1966 · 📗 Book (unknown) · 🚀/ia · Save

ia/williamshakespea00cham.pdf

William Shakespeare: A Study of Facts and Problems Chambers, E. K. (Edmund Kerchever), 1866-1954; Rouben Mamoulian Collection (Library of Congress) DLC; Rouben Mamoulian Collection (Library of Congress) Oxford, The Clarendon Press, Oxford, England, 1930

v. 1. Shakespeare's origin. The stage in 1592. Shakespeare and his company. The book of the play. The quartos and the First folio. Plays in the printing-house. The problem of authenticity. The problems of chronology. Plays of the First folio.--Plays outside of the First folio. The poems and sonnets.--v. 2. Note on records. Principal dates. Pedigree of Shakespeare and Arden. Appendices: Records. Contemporary allusions. The Shakespeare-mythos Performance of plays. The name Shakespeare. Shakespearean fabrications. Table of quartos. Metrical tales. List of books. Subject-index Covers the whole field of Shakespeare criticism. Includes individual chapters on plays, biographical information, records, allusions, legends, and forgery lists

English [en] · PDF · 28.6MB · 1930 · 📗 Book (unknown) · 🚀/ia · Save

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ia/artlifeofwilliam0000haze.pdf

the art and life of william shakespeare by Hazelton Spencer .. harcourt, brace and company, new york, New York, New York State, 1940

English [en] · PDF · 32.3MB · 1940 · 📗 Book (unknown) · 🚀/ia/zlib · Save

ia/brickshakespeare0000shak.pdf

Brick Shakespeare. The tragedies : : Hamlet, Macbeth, Romeo and Juliet, and Julius Caesar Jack Hollan, John McCann, Monica Sweeney, Gebrüder Grimm [Brothers Grimm], Becky Thomas Skyhorse Publishing Company, Incorporated; Skyhorse Publishing, Simon & Schuster, New York, 2013

Enjoy four of Shakespeare's tragedies told with LEGO bricks. Here are Hamlet, Macbeth, Romeo and Juliet, and Julius Caesar enacted scene by scene, captioned by excerpts from the plays. Flip through one thousand color photographs as you enjoy Shakespeare's iconic poetry and marvel at what can be done with the world's most popular children's toy.Watch the brick Hamlet give his famous “To be or not to be” soliloquy, and feel brick Ophelia's grief as she meets her watery end. Lady Macbeth in brick form brings new terror to “Out, out, damn spot!” and brick Romeo and Juliet are no less star-crossed for being rectangular and plastic. The warm familiarity of bricks lends levity to Shakespeare's tragedies while remaining true to his original language.The ideal book for Shakespeare enthusiasts, as well as a fun way to introduce children to Shakespeare's masterpieces, this book employs Shakespeare's original, characteristic language in abridged form. Though the language stays true to its origins, the unique format of these well-known tragedies will give readers a new way to enjoy one of the most popular playwrights in history.

English [en] · PDF · 42.0MB · 2013 · 📗 Book (unknown) · 🚀/ia · Save

ia/fourgreatcomedie00will_0.pdf

Four Great Comedies: The Taming of the Shrew; A Midsummer Night's Dream; Twelfth Night; The Tempest (Signet Classics) William Shakespeare; Sylvan Barnet Signet Classics, Signet classics Shakespeare, Revised edition, New York, 1998

"Comedies," as one of Shakespeare's contemporaries wrote, 'begin in trouble and end in peace." This is certainly true of the four masterworks selected for this collection--The Taming of the Shrew, A Midsummer Night's Dream, Twelfth Night, and The Tempest--each of which represents a significant stage in the development of the world's greatest dramatist. Reading these plays, we sample the whole comic spectrum of the Elizabethan world--from the satiric comes that portrays a world of people whose unreasonable behavior is ludicrous and in need of reform to the romantic comedy that takes us into a dreamlike holiday world whose inhabitants, for all their folly, are still endearing characters. And to give these plays more meaning for the modern reader, this edition includes the following special features: An Introduction by Sylvan Barnet, general editor of the Signet Classic Shakespeare series Reliable texts by noted Shakespeare scholars Texts printed in the clearest, most readable type Name of each speaker given in full Detailed footnotes at the bottom of each page keyed to the numbered lines of the text Textual notes Updated bibliography --back cover

English [en] · PDF · 29.4MB · 1998 · 📗 Book (unknown) · 🚀/ia · Save

ia/shakespearesimpa0000honi.pdf

Shakespeare's Impact on His Contemporaries Ernst A. J Honigmann Barnes & Noble Books : Macmillan, 1. publ. in the USA, Totowa, N.J, 1982

xiv, 149 p. ; 23 cm Includes bibliographical references and index

English [en] · PDF · 7.3MB · 1982 · 📗 Book (unknown) · 🚀/ia · Save

ia/tamingofshrewwor0000olst.pdf

Discovering Shakespeare: The Taming of the Shrew : A Workbook for Students (DISCOVERING SHAKESPEARE SERIES) written and edited by Fredi Olster and Rick Hamilton Smith & Kraus Publishers, Incorporated, Young actors series. Discovering Shakespeare, Young actor series., 1st ed., Lyme, NH, New Hampshire, 1996

Conceived and written by two classically trained American stage actors, this workbook in Smith & Kraus' Discovering Shakespeare Series is a student's gateway to understanding Shakespeare. The side-by-side presentation of the original language and a "translation" into the vernacular allows the student to quickly understand and appreciate the play. There is accompanying instruction about Shakespearean English, character analysis, and performance information. Presents an abridged version of Shakespeare's Taming of the Shrew, discussing the play's language, characters, plot, and how to stage a school production.

English [en] · PDF · 9.4MB · 1996 · 📗 Book (unknown) · 🚀/ia · Save

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ia/shakespeareantra0000barr.pdf

Shakespearean tragedy : genre, tradition, and change in Antony and Cleopatra J. Leeds Barroll. -- Folger Shakespeare library ; Associated University presses, Washington, London, District of Columbia, 1984

By showing us how Shakespeare's contemporaries were likely to "read" the presentation of human nature, which they saw as inherently self-deceiving, this critical inquiry enables us to unravel the complexities of Shakespeare's characterizations in a manner that will be invaluable to Shakespeare specialists, critical theorists, students, performers, and anyone who seeks an enhanced understanding of Shakespeare's tragedies and their characters.

English [en] · PDF · 17.6MB · 1984 · 📗 Book (unknown) · 🚀/ia · Save

duxiu/initial_release/40362020.zip

Shakespeare without class : misappropriations of cultural capital Donald Keith Hedrick, Bryan Reynolds, Donald Hedrick and Bryan Reynolds, Donald Hedrick, Bryan Reynolds Palgrave Macmillan, 2000, 2000

Classless, tasteless, and unclassifiable uses of Shakespeare, from the Bad Quarto of Hamlet to contemporary “post-queer” same-sex version of Romeo and Juliet, join each other through this collection of intriguing new essays that capture the essence of what its editors term “Shakespace.” An alternative to “appropriation,” “Shakespace” describes uses involving not a defined, ideological boundary patrolling but a creative, often dissident or transgressive, social space of transformation.

English [en] · PDF · 75.3MB · 2000 · 📗 Book (unknown) · 🚀/duxiu/zlibzh · Save

ia/macbethrapidrevi0000unse.pdf

Macbeth - A Rapid Review; A scene-by-scene analysis with critical commentary Publication date 1964 Topics Shakespeare, William, 1564-1616 Publisher New York, American R.D.M. Corp. Collection inlibrary; printdisabled; internetarchivebooks; china Contributor Internet Archive Language English Publication date 1964 Topics Shakespeare, William, 1564-1616 Publisher New York, American R.D.M. Corp. Collection inlibrary; printdisabled; internetarchivebooks; china Contributor Internet Archive Language English New York, American R.D.M. Corp.

English [en] · PDF · 3.7MB · 📗 Book (unknown) · 🚀/ia · Save

upload/wll/ENTER/Fict-Bio/Shakespeare, William 1564-1616/Shakespeare, William/Shakespeare, William - King Lear - Shakespeare, William.pdf

Shakespeare, William - King Lear Shakespeare, William

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ia/enchantedislands00serr.pdf

The enchanted island : stories from Shakespeare Ian Serraillier New York: H. Z. Walck., New York, 1964

The taming of the shrew ; A wild-cat for a wife.--A midsummer-night's dream ; Bottom the actor.--The merchant of Venice: a pound of flesh.--Henry IV, part one: Falstaff and Prince Hal.--Henry V: "God for Harry, England and St. George!"--Twelfth night: the love letter.--Julius Caesar: Death of a dictator.--Hamlet: Hamlet, Prince of Denmark.--King Lear: King Lear of Britain.--Macbeth: Murder at Dunsinane.--The tempest: The enchanted island

English [en] · PDF · 10.2MB · 1964 · 📗 Book (unknown) · 🚀/ia · Save

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ia/elizabethanstage0000brad_t8k2.pdf

Elizabethan stage conditions: a study of their place in the interpretation of Shakespeare's plays by M. C. Bradbrook ... The Harness prize essay, 1931 Cambridge [Eng.]: The University press, Cambridge [Eng.], England, 1932

4 p. : 19 cm The Harness prize essay, 1931

English [en] · PDF · 5.0MB · 1932 · 📗 Book (unknown) · 🚀/ia · Save