by M. C. Bradbrook - Search - Anna’s Archive

ia/britishwritersth0000unse_p6l2.pdf

BRITISH WRITERS AND THEIR WORK NO. 1 Geoffrey Chaucer by Nevill Coghill and Sir Thomas Malory by M. C. Bradbrook

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ia/ibsennorwegianre0000brad.pdf

Ibsen, the Norwegian: a revaluation a revaluation by M. C. Bradbrook London: Chatto & Windus, London, Unknown, 1946

x, 150 p. ; 21 cm Includes bibliographical references and index

English [en] · PDF · 7.3MB · 1946 · 📗 Book (unknown) · 🚀/ia · Save

ia/englishdramaticf0000mcbr.pdf

English Dramatic Form: in the old drama and the new by M. C. Bradbrook Chatto and Windus, [2d ed.]., London, England, 1970

English [en] · PDF · 9.3MB · 1970 · 📗 Book (unknown) · 🚀/ia · Save

ia/schoolofnightstu0000brad_k2b0.pdf

The school of night; a study in the literary relationships of Sir Walter Raleigh by M. C. Bradbrook New York, Russell & Russell, New York, New York State, 1965

viii, 189 p. 23 cm "First published in 1936." Bibliogr

English [en] · PDF · 5.9MB · 1965 · 📗 Book (unknown) · 🚀/ia · Save

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ia/sirthomasmalory0000brad.pdf

Sir Thomas Malory by M. C. Bradbrook [London] Published for the British Council and the National Book League by Longmans, Green, Bibliographical series of supplements to British book news on writers and their work, 95, London, United Kingdom, England, 1967

36 p. 22 cm Bibliography: p. 35-36

English [en] · PDF · 2.1MB · 1967 · 📗 Book (unknown) · 🚀/ia · Save

ia/themesconvention00bradrich.pdf

Themes and conventions of Elizabethan tragedy by M. C. Bradbrook The University Press, Cambridge [Eng.], England, 1935

Includes bibliographical references (p. [269]) and index pt.1. The theatre: Introduction -- Conventions of presentation and acting -- Conventions of action -- Elizabethan habits of reading, writing and listening -- Conventions of speech -- pt.2. The dramatists: Christopher Marlowe -- Cyril Tourneur -- John Webster -- Thomas Middleton -- The decadence

English [en] · PDF · 34.6MB · 1935 · 📗 Book (unknown) · 🚀/ia · Save

ia/elizabethanstage0000brad_t8k2.pdf

Elizabethan stage conditions: a study of their place in the interpretation of Shakespeare's plays by M. C. Bradbrook ... The Harness prize essay, 1931 Cambridge [Eng.]: The University press, Cambridge [Eng.], England, 1932

4 p. : 19 cm The Harness prize essay, 1931

English [en] · PDF · 5.0MB · 1932 · 📗 Book (unknown) · 🚀/ia · Save

ia/tseliot0000brad_c2n1.pdf

T. S. Eliot by M. C. Bradbrook London: Published for the British Council and the National Book League by Longmans, Green, Bibliographical series of supplements to British book news, London, England, New York, USA, England, 1950

67 p. : 22 cm Bibliography: p. 59-65

English [en] · PDF · 3.3MB · 1950 · 📗 Book (unknown) · 🚀/ia · Save

ia/josephconradjoze0000brad.pdf

Joseph Conrad: Józef Teodor Konrad Natȩcz Korzeniowski, Poland's English genius by M. C. Bradbrook. -- Cambridge[England]: Cambridge University Press, Cambridge[England], England, 1941

79p Includes index Bibliography: p. 78-79

English [en] · PDF · 3.0MB · 1941 · 📗 Book (unknown) · 🚀/ia · Save

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ia/englishdramaticf0000brad_q2r0.pdf

English dramatic form in the old drama and the new ; [history of its development Muriel Clara Bradbrook Chatto and Windus, [2d ed.]., London, England, 1970

205 p. ; 23 cm Includes bibliographical references and index

English [en] · PDF · 9.1MB · 1970 · 📗 Book (unknown) · 🚀/ia · Save

ia/literatureinacti0000brad_p2t8.pdf

Literature in action : studies in continental and Commonwealth society [by] M. C. Bradbrook London: Chatto and Windus, London, England, 1972

200 pages ; 21 cm Includes bibliographical references (pages 189-193) and index

English [en] · PDF · 6.6MB · 1972 · 📗 Book (unknown) · 🚀/ia · Save

ia/themesconvention0000unse_b1s6.pdf

Themes and conventions of Elizabethan tragedy by M. C. Bradbrook Cambridge: Cambridge University Press, Cambridge, England, 1964

viii, 275 pages ; 19 cm Includes index "Bibliographical note": page 269

English [en] · PDF · 12.3MB · 1964 · 📗 Book (unknown) · 🚀/ia · Save

ia/shakespearecraft0000brad.pdf

Shakespeare, The Craftsman Bradbrook, M. C. (muriel Clara), Shakespeare, William Chatto & Windus, The Clark lectures ;, 1968, New York, New York State, 1969

vii, 187 p., 4 plates. : 23 cm Bibliographical references included in "Notes" (p. 169-182)

English [en] · PDF · 8.3MB · 1969 · 📗 Book (unknown) · 🚀/ia · Save

ia/andrewmarvellbym0000mcbr.pdf

Andrew Marvell by M. C. Bradbrook (2012-01-26) M. C. Bradbrook Cambridge University Press, 1735-01-01

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ia/britishwritersth0010unse.pdf

Geoffrey Chaucer by Nevill Coghill. Sir Thomas Malory, by M. C. Bradbrook [Lincoln: University of Nebraska Press], British writers and their work -- no. 1., British writers and their work, Lincoln, Unknown, 1966

11 v. : 21 cm

English [en] · PDF · 6.4MB · 1966 · 📗 Book (unknown) · 🚀/ia · Save

ia/josephconradjoze0000brad_v7x8.pdf

Joseph Conrad: Joz?ef Teodor Konrad Nalecz Korzeniowski, Poland's English genius by M. C. Bradbrook New York: Russell & Russell, New York, Unknown, 1966

79 pages ; 23 cm "First published in 1941." Bibliography: p. [78]-79

English [en] · PDF · 3.5MB · 1966 · 📗 Book (unknown) · 🚀/ia · Save

ia/malcolmlowryhisa0000brad.pdf

Malcolm Lowry : his art and early life : a study in transformation Muriel Clara Bradbrook Cambridge University Press (Virtual Publishing), [London], England, 1974

"This 1975 book corrects and amplifies the record of Malcolm Lowry's early life, recording for the first time one of its crucial incidents. Lowry was an alcoholic and wanderer who turned a failed life into a success of a different order, and which has been recognised only after his death. Like Lowry, Professor Bradbrook was born in Wirral and writes of the scenes of early life with sympathetic understanding. She also knew the Cambridge of the 1930s, when Lowry read English there. Bradbrook considers the critical point of knowledge of Lowry's life, and the ways in which it is absorbed in his writings. This enquiry broadens out into a discussion of the art itself, and will serve as an excellent introduction of Lowry's life"--Publisher description

English [en] · PDF · 6.7MB · 1974 · 📗 Book (unknown) · 🚀/ia · Save

ia/malcolmlowryhisa0000brad_b9h1.pdf

Malcolm Lowry : his art and early life : a study in transformation Muriel Clara Bradbrook Cambridge University Press (Virtual Publishing), New ed., Cambridge, England, 1975

"This 1975 book corrects and amplifies the record of Malcolm Lowry's early life, recording for the first time one of its crucial incidents. Lowry was an alcoholic and wanderer who turned a failed life into a success of a different order, and which has been recognised only after his death. Like Lowry, Professor Bradbrook was born in Wirral and writes of the scenes of early life with sympathetic understanding. She also knew the Cambridge of the 1930s, when Lowry read English there. Bradbrook considers the critical point of knowledge of Lowry's life, and the ways in which it is absorbed in his writings. This enquiry broadens out into a discussion of the art itself, and will serve as an excellent introduction of Lowry's life"--Publisher description

English [en] · PDF · 5.7MB · 1975 · 📗 Book (unknown) · 🚀/ia · Save

ia/shakespearepoeti0000brad.pdf

Part 1: The World He Found -- The Cradle Of Security -- A Challenge To Fortune -- The Upstart Crow -- The Poet Of The Plague Years -- Part 2: The World He Made -- The Poet Of Love -- The Lord Chamberlain's Men -- Enter, Fighting, At Several Doors ... -- Hamlet, Revenge! -- 'his Majesty's Poor Prayers' -- The Kingdom Of Fools -- Part 3: The World And The Dream -- The Dream Of Ancient Lands -- The End Of The Revels. M. C. Bradbrook. Includes Index. Bibliography: P. [253]-259.

English [en] · PDF · 16.2MB · 1978 · 📗 Book (unknown) · 🚀/ia · Save

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ia/shakespearepoeti1978brad.pdf

Part 1: The World He Found -- The Cradle Of Security -- A Challenge To Fortune -- The Upstart Crow -- The Poet Of The Plague Years -- Part 2: The World He Made -- The Poet Of Love -- The Lord Chamberlain's Men -- Enter, Fighting, At Several Doors ... -- Hamlet, Revenge! -- 'his Majesty's Poor Prayers' -- The Kingdom Of Fools -- Part 3: The World And The Dream -- The Dream Of Ancient Lands -- The End Of The Revels. M. C. Bradbrook. Includes Index. Bibliography: P. [253]-259.

English [en] · PDF · 9.3MB · 1978 · 📗 Book (unknown) · 🚀/ia · Save

ia/shakespearepoeti0000brad_o7f3.pdf

"Shakespeare's own life story and the development of English theatrical history are placed in the wider context of Elizabethan and Jacobean times; but the works themselves are the final objective of this "applied biography" which offers new aspects for many of the plays and poems."--Book jacket

English [en] · PDF · 13.3MB · 1978 · 📗 Book (unknown) · 🚀/ia · Save

ia/growthstructureo0000unse.pdf

The growth and structure of Elizabethan comedy [by] M. C. Bradbrook Cambridge University Press, History of Elizabethan drama -- 2, New ed. --, Cambridge, England, 1979

The Development Of Drama -- Drama And Society -- Medieval Drama -- The Public Stages : Actors And Audience -- Courtly, Popular And Academic Plays -- The Oral Tradition -- Early Elizabethan Theories Of Comedy -- General Theories Of Language -- The Drama Of The Schools -- The Kinds Of Comedy And The Garment Of Style -- The Development Of Style -- Artificial Comedy : Lyly -- Popular Comedy : Peele, Greene, Nashe -- The Shakespearean Synthesis -- Protean Shapes : Shakespearean From In Comedy (from Art To Nature ; The Artiulation Of The Fable ; The Use Of Disguise) -- The Definition Of Comedy : Jonsonian Form -- Pastime And Good Company : Dekker And Heywood -- The Anatomy Of Knavery : Jonson, Marston, Middleton -- A Set Of Wit Well Played : Day, Chapman, Fletcher -- The Ghost At The Revels And The Golden Age Restored : Jonson';s Masques And Shakespeare's Last Plays -- Elizabethan Comedy In The Theatre Of Today. [by] M. C. Bradbrook. Includes Bibliographical References And Index.

English [en] · PDF · 9.6MB · 1979 · 📗 Book (unknown) · 🚀/ia · Save

ia/elizabethanstage0000brad.pdf

Elizabethan stage conditions : a study of their place in the interpretation of Shakespeare's plays M C Bradbrook; University of Cambridge Cambridge University Press (Virtual Publishing), University of Cambridge, London ; New York, 1968, ©1932

ix, 149 pages ; 19 cm A short, vigorous and clear study of the use and misuse of our knowledge of Elizabethan stage conditions in interpreting Shakespeare's plays. After reviewing past Shakespearean criticism and showing the unsatisfactory results of treating Shakespeare as a pure poet unfettered by time and place, Professor Bradbrook explains how the bare open stage of theatres like the Globe allowed great flexibility of dramatic structure for Shakespeare and his contemporaries; she considers the degree to which the Elizabethan audience influenced the content of the plays and the effects of the conventions and peculiarities of Shakespeare's actors on his dramatic characters. She argues that an increased knowledge of Elizabethan stage conditions can prevent the interference of some preconceptions of our own age and help to make a fruitful separation between historic and appreciative criticism. This essay, long unobtainable, is now made generally available. -- Publisher's description The Harness Prize essay, 1931 Includes bibliographical references Notes -- Note on the Second Impression -- Introduction -- Shakespearian criticism : eighteenth and nineteenth centuries -- Shakespearean criticism : twentieth century -- Shakespeare's stage and his dramatic structure -- The topical element in Shakespeare -- The question of characterisation -- Shakespeare and the 'profession' -- Shakespeare's stage and his poetry -- Shakespeare's stage and textual criticism -- Conclusion

English [en] · PDF · 4.6MB · 1968 · 📗 Book (unknown) · 🚀/ia · Save

ia/elizabethanstage0000unse.pdf

Elizabethan stage conditions : a study of their place in the interpretation of Shakespeare's plays M C Bradbrook; University of Cambridge Cambridge University Press (Virtual Publishing), University of Cambridge, London ; New York, 1968, ©1932

ix, 149 pages ; 19 cm A short, vigorous and clear study of the use and misuse of our knowledge of Elizabethan stage conditions in interpreting Shakespeare's plays. After reviewing past Shakespearean criticism and showing the unsatisfactory results of treating Shakespeare as a pure poet unfettered by time and place, Professor Bradbrook explains how the bare open stage of theatres like the Globe allowed great flexibility of dramatic structure for Shakespeare and his contemporaries; she considers the degree to which the Elizabethan audience influenced the content of the plays and the effects of the conventions and peculiarities of Shakespeare's actors on his dramatic characters. She argues that an increased knowledge of Elizabethan stage conditions can prevent the interference of some preconceptions of our own age and help to make a fruitful separation between historic and appreciative criticism. This essay, long unobtainable, is now made generally available. -- Publisher's description The Harness Prize essay, 1931 Includes bibliographical references Notes -- Note on the Second Impression -- Introduction -- Shakespearian criticism : eighteenth and nineteenth centuries -- Shakespearean criticism : twentieth century -- Shakespeare's stage and his dramatic structure -- The topical element in Shakespeare -- The question of characterisation -- Shakespeare and the 'profession' -- Shakespeare's stage and his poetry -- Shakespeare's stage and textual criticism -- Conclusion

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ia/literatureinacti0000brad.pdf

Literature In Action;: Studies In Continental And Commonwealth Society [by] M. C. Bradbrook Chatto & Windus, New York, New York State, 1972

200 pages 21 cm Includes bibliographical references (pages 189-193)

English [en] · PDF · 11.9MB · 1972 · 📗 Book (unknown) · 🚀/ia · Save

ia/shakespearecraft0000brad_o3o5.pdf

Shakespeare the craftsman : the Clark Lectures 1968 by M. C. Bradbrook London, Chatto & Windus, The Clark lectures ;, 1968, London, England, 1969

ix, 187 pages 23 cm Bibliographical references included in "Notes" (p. 169-182)

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ia/shakespearecraft0000brad_g8u3.pdf

Shakespeare the craftsman : the Clark Lectures 1968 by M. C. Bradbrook London: Chatto & Windus, The Clark lectures ;, 1968, London, England, 1969

ix, 187 pages, 4 plates. illustrations : 23 cm Bibliographical references included in "Notes" (p. 169-182)

English [en] · PDF · 10.9MB · 1969 · 📗 Book (unknown) · 🚀/ia · Save

hathi/wu/pairtree_root/89/00/04/95/63/0/89000495630/89000495630.zip

Ibsen, the Norwegian, a revaluation by M. C. Bradbrook. Bradbrook, M. C. 1909-1993. Chatto & Windus [1948], England, 1948

English [en] · ZIP · 0.2MB · 1948 · 📗 Book (unknown) · 🚀/hathi · Save

ia/ibsennorwegianre0000brad_a8g0.pdf

Ibsen, the Norwegian: a revaluation by M.C. Bradbrook London: Chatto & Windus, New ed. --, London, England, 1966

173 p. ; 22 cm Includes bibliographical references and index

English [en] · PDF · 7.6MB · 1966 · 📗 Book (unknown) · 🚀/ia · Save

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ia/englishdramaform0000unse.pdf

ENGLISH DRAMA : FORMS AND DEVELOPMENT : ESSAYS IN HONOUR OF MURIEL CLARA BRADBROOK. EDITED BY MARIE AXTON AND RAYMOND WILLIAMS. WITH AN INTRODUCTION BY RAYMOND WILLIAMS edited by Marie Axton and Raymond Williams; with an introduction by Raymond Williams Cambridge ; New York: Cambridge University Press, Cambridge, New York, New York State, 1977

Axton, R. Folk Play In Tudor Interludes.--axton, M. The Tudor Mask And Elizabethan Court Drama.--salingar, L. Comic Form In Ben Jonson.--barton, A. He That Plays The King.--radzinowicz, M. A. Medicinable Tragedy.--luckett, R. Exotick But Rational Entertainments.--erskine-hill, H. The Significance Of Gay's Drama.--beer, G. 'coming Wonders'.--northam, J. Waiting For Prospero.--williams, R. Social Environment And Theatrical Environment.--rignold, P. The Books And Essays Of Muriel C. Bradbrook And A Selection Of Her Book Reviews. Edited By Marie Axton And Raymond Williams ; With An Introduction By Raymond Williams. Includes Bibliographical References And Indexes.

English [en] · PDF · 17.5MB · 1977 · 📗 Book (unknown) · 🚀/ia · Save

ia/schoolofnightstu0000brad.pdf

The school of night: a study in the literary relationships of Sir Walter Raleigh. -- by M.C. Bradbrook The University Press, Cambridge [Eng.], England, 1936

189 p

English [en] · PDF · 6.2MB · 1936 · 📗 Book (unknown) · 🚀/ia · Save

ia/growthstructureo0000brad_v6d8.pdf

The growth and structure of Elizabethan comedy M. C. Bradbrook London, Chatto & Windus, 1961, London, Chatto & Windus, 1961, ukk, 1961

ix, 245 p. ; 22 cm Bibliographical references included in "Notes" (p. 211-242)

English [en] · PDF · 10.0MB · 1961 · 📗 Book (unknown) · 🚀/ia · Save

duxiu/initial_release/40699161.zip

English drama : forms and development : essays in honour of Muriel Clara Bradbrook MARIE AXTON AND RAYMOND WILLIAMS, M. C Bradbrook, Marie Axton, Raymond Williams, Marie Axton, Muriel Clara Bradbrook, Axton, M., Williams, R., M. Axton, R. Williams Cambridge University Press (Virtual Publishing), 1977, 1977

<p>These ten original essays on English drama from Tudor times onwards were first published in 1977. Each is written by a former member of the Cambridge English Faculty. Each author has an individual approach and makes a fresh contribution to the study of dramatic form seen in a changing historical setting. There are essays on genres, on individual playwrights and on social conditions affecting the development of the drama. Together, the essays make a valuable contribution to the study of drama.</p>

English [en] · PDF · 85.2MB · 1977 · 📗 Book (unknown) · 🚀/duxiu/zlibzh · Save

ia/tseliot0000mcbr.pdf

T. S. Eliot M. C. Bradbrook 1963

English [en] · PDF · 3.8MB · 1963 · 📗 Book (unknown) · 🚀/ia · Save

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ia/shakespeareeliza0000mcbr.pdf

Shakespeare and Elizabethan Poetry M. C. Bradbrook 1965

English [en] · PDF · 14.1MB · 1965 · 📗 Book (unknown) · 🚀/ia · Save

ia/selectplays0000beau.pdf

Select plays introduction by M.C. Bradbrook. -- London: Dent, Everyman's library -- no. 506, Everyman's library -- no. 506., London, England, 1962

xiii, 475 p. -- Includes bibliography The knight of the burning pestle -- The maid's tragedy -- A king and no king -- The faithful shepherdess -- The wild-goose chase -- Bonduca

English [en] · PDF · 17.5MB · 1962 · 📗 Book (unknown) · 🚀/ia · Save

ia/riseofcommonplay0000brad.pdf

The Rise of the Common Player: Volume 3: A Study of Actor and Society in Shakespeare's England (History of Elizabethan Drama) M. C. Bradbrook. -- Cambridge University Press (Virtual Publishing), History of Elizabethan drama / M.C. Bradbrook, vol. 3, Cambridge, 1979, ©1962

M.c. Bradbrook. Includes Bibliographical References And Index.

English [en] · PDF · 12.7MB · 1979 · 📗 Book (unknown) · 🚀/ia · Save

ia/murielbradbrooko0000brad.pdf

M Bradbrook on Shakespeare Bradbrook Muriel Clara Bradbrook Prentice Hall Europe (a Pearson Education company), Sussex, Totowa, N.J, England, 1984

viii, 166 pages ; 22 cm Includes bibliographical references Shakespeare's primitive art -- Shakespeare and the use of disguise in Elizabethan drama -- Shakespeare's debt to Marlowe -- Beasts and gods : the social purpose of Venus and Adonis -- Dramatic role as social image : a study of The taming of the shrew -- King Henry IV -- Shakespeare's hybrid : All's well that ends well -- What Shakespeare did to Chaucer's Troilus and Criseyde -- An interpretation of Hamlet -- The balance and the sword in Measure for measure -- Othello, Webster and the tragedy of violence -- The origins of Macbeth

English [en] · PDF · 6.4MB · 1984 · 📗 Book (unknown) · 🚀/ia · Save